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Only two or three twists of Mc Dormand’s wizened countenance are required to let us know that all is not as it seems; in the end, the characters’ integrity is the only virtue that cuts the smoke of the flash pots.—David Mead 41.

Seeking a Friend for the End of the World Year: 2012 Director: Lorene Scafaria Released in mid-summer of last year, director Lorene Scafaria’s (Nick and Norah’s Infinite Playlist) feature film directorial debut came and went without much fanfare. An apocalypse comedy/rom-com/road trip movie starring the likes of Steve Carell and Keira Knightley, two actors who don’t seem like they belong in the same world together let alone in a romantic pairing, the movie was never going to be a runaway hit.

But the film is also a great case for the virtues of Europudding as an aesthetic, a frothy, lightweight flick that actually manages to find subtext in its continental blend of nationalities: It’s a casual statement piece about the benefits of multicultural contact, proof of how connecting with people who vibe with life differently than we do can change us for the better. Sullivan Year: 2015 When six friends reunite for a weekend at the beach, a relaxing getaway turns into an uninvited opportunity to deal with their emotional baggage.

It’s also sweet as hell without tasting treacly, a buoyant, joyful flick whose protagonist, uptight student Xavier (Romain Duris), is able to dodge his grim corporate future by heading off to Barcelona and staying in a house loaded with other, considerably less uptight students hailing from Italy, Belgium, England, Germany, Denmark, and Spain (obviously), who teach him how to unwind mostly just by passing through his orbit. That’s Not Us follows three couples—one lesbian, one gay and one straight—during a presumably carefree weekend full of memories, intimate moments and exploration.

L’auberge Espagnole Director: Cédric Klapisch Year: 2003 Maybe “Europudding” is a pejorative term for a reason, and maybe L’Auberge Espagnole is kinda the definition of Europudding.

Consistency is at the center of Leo’s world, from weekly visits with his grandmother to the walk home from school with his best friend, Giovana.

That’s because Leo is blind, a condition that makes adapting to unforeseen changes difficult.

Key to the story and style of the film are Sarah’s ink drawings, created in real life by graphic novelist Jeffrey Brown, who co-wrote the screenplay.

They serve as a creative window into Sarah’s soul while conveniently advancing the plot at a critical juncture.—Annlee Ellingson 45.